Xenia: A Hoard of Lost Words, Eighteenth-Century Street

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For me, the experience and the pleasure of reading Steven's poetry are not just intensified by this typeface, they are intimately part of it, so that reading Stevens in another font seems unusual and even disconcerting. And finally, there are a few consonants [that] have no valence for either of these qualities." p.84 "one of the characteristics of 'tenderness' at least as chosen by this reader, may be a predominance of the reduced vowel in unstressed syllables, whereas 'aggressive' poems may be characterized by a tendency to fill even the unstressed metrical positions with full vowels ... 'tenderness' may be characterized by a tendency to use long vowels in stressed syllables in preference to short ones, in order to slow down the poetic rhythm" p.96 - "there is evidence of something very close to metaphoric quality in the tendency to associate a few types of language sounds with certain quantitative measures, such as frequent occurrence of high front vowels in words which denote smallness ... (Thus, for example, French poets are careful to avoid the word 'nuit' in passages which evoke a night mood, because the 'bright' vowel would intrude...)" From "Sound and Sense in the Poetry of Theodor Storm", Alan B.

Pages: 64

Publisher: Maypop Books; 1st edition (September 1994)

ISBN: 0961891696

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